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Hilda Morris    Images  |  Bio

Born 1911, New York, NY
Died 1991, Portland, OR

EDUCATION AND AWARDS

Cooper Union School of Art and Architecture, New York, NY 1932-34
Arts Students League of New York, NY 1934-35
Study with Comcetta Scaravaglione, New York, NY 1935-36
Ford Foundation Fellowship, one of ten selected 1960
Ninth Annual Governor’s Arts Award, Oregon 1985


ONE-PERSON EXHIBITIONS

The Laura Russo Gallery, Portland, OR 1988, 2006
“Hilda Morris: A Retrospective,” Portland Art Museum, Portland, OR 2006
Foster/White Gallery, Seattle, WA 1990
The Ochi Fine Art Gallery, Boise, ID 1988
The Kraushaar Gallery, New York, NY 1987
The Portland Art Museum, OR 1946, 1955, 1972, 1974, 1977, 1984
The Fountain Gallery of Art, Portland, OR 1961, 1962, 1964, 1971, 1974, 1980, 1984
Woodside/Braseth Gallery, Seattle, WA 1968, 1972, 1975, 1978, 1981, 1987
Reed College, Portland, OR 1969, 1972, 1980
Gordon Woodside Galleries, Seattle, WA 1967, 1968, 1972, 1978
Triangle Gallery, San Francisco, CA 1974, 1976
University of Rochester Memorial Art Gallery, Rochester, NY 1976
Museum of Art, Tacoma, WA 1970
Albina Art Center, Portland, OR 1969
Salt Lake Art Center, UT 1963
University of Puget Sound, Tacoma, WA 1961
Otto Seligman Gallery, Seattle, WA 1955, 1957, 1960
Barone Gallery, New York, NY 1958
University of Oregon Museum of Art, Eugene, OR 1947

GROUP EXHIBITIONS

“20th Anniversary Group Show,” The Laura Russo Gallery, Portland, OR 2006
“Early Northwest Artists,” The Laura Russo Gallery, Portland, OR 2006
“Northwest Matriarchs of Modernism,” The Art Gym, Marylhurst University, Marylhurst, OR
and Museum of Northwest Art, La Conner, WA (catalogue) 2004-2005
“Works from the Estate,” The Laura Russo Gallery, Portland, OR 2002
“Early Works by Oregon Artists,” The Laura Russo Gallery, Portland, OR 2000
“What it Meant to be Modern, Seattle Art at Mid-Century,” Henry Gallery, Seattle, WA 1999
Coos Art Museum, Coos Bay, OR 1995
“Jet Dreams: Art of the Fifties in the Pacific Northwest,” Tacoma Art Museum, WA and
Cooley Gallery, Reed College, Portland, OR 1995
“Portland Collects,” Portland Art Museum, OR 1993
“Forms of Abstraction,” Portland Art Museum, Portland, OR 1992
“Decade of Abstraction: 1979-1989,” Bumbershoot Visual Arts Exhibition,
curated by Matthew Kangas, Seattle, WA 1989
2-D/3-D, Sculptor Drawing, Seattle Art Museum, WA 1989
Sumi Neo-Tradition, Bumbershoot, Seattle Center 1988
Pacific Northwest Artists and Japan, circulated to the National Museum of Art in Osaka, Japan
and the Seattle Art Museum, WA (catalogue) 1982-1983
West Coast Art, San Francisco Museum of Contemporary Art and residence of Vice President
and Mrs. Mondale 1978-1979
Northwest Traditions, Seattle Art Museum, WA 1978
Rochester Memorial Museum of Art, NY 1977
Art of the Pacific Northwest, Smithsonian Institute, National Gallery of Art, Washington D.C. 1974
Denver Art Museum, Invitational Exhibition, CO 1947, 1949, 1954, 1955, 1960, 1963, 1965
National Print Exhibition, Brooklyn Museum of Art, NY 1964
Tradition and Invention, San Francisco Art Institute, CA circulating exhibition 1963-1964
Exhibition of Eight Major Sculptors, San Francisco Art Institute, CA 1963
Northwest Art, University of Puget Sound, Tacoma, WA 1963
The Artist's Environment: West Coast, Oakland Art Museum, CA, UCLA at Los Angeles
and Amon Carter Museum of Western Art at Fort Worth, TX 1962
Contemporary American Painting and Sculpture, University of Illinois, Krannert Museum, IL 1963
Seattle World's Fair: Sculpture for Century XXI Science Pavilion, WA 1962
Tacoma Art League, Second Summer Festival, Tacoma, WA 1962
Six Oregon and Washington Artists. Marylhurst University, Marylhurst, OR 1962
International Art Selections, Dayton Art Institute, OH, Sumi-e purchased for the Dayton Collection 1961
Eric Locke Gallery, San Francisco, CA 1960
San Francisco Art Museum, Invitational Exhibitions 1945, 1946, 1950, 1951, 1953, 1957, 1960
Third Pacific Coast Biennial Exhibition, traveling exhibition to Santa Barbara Museum of Art, CA;
Municipal Art Gallery, L.A., CA; M.H. De Young Museum in San Francisco, CA;
University of Washington in Seattle, WA; and the Portland Art Museum, Portland OR 1960
National Drawing Competition, DeCordova and Dana Museum 1959
National Drawing Exhibition, Brooklyn Museum of Art, NY 1958
New Talent, USA, American Federation of Arts, traveling exhibition 1957-1958
Third International Biennial Exhibition, Museu de Arte Moderna, Sao Paulo, Brazil 1955
Sculpture of the Pacific Northwest, University of Oregon, Eugene, OR 1955
Eight Oregon Artists, Krashaar Gallery, New York, NY 1952
American Sculpture, Metropolitan Museum of Art, NY 1951
Oregon Artists, San Francisco Museum of Art, CA 1943

COMMISSIONS

Memorial Museum of Art, University of Rochester, NY
Museum of Art, University of Oregon, Eugene, OR
Oregon School of Arts and Crafts, Portland, OR
Pacific National Building, Tacoma, WA
Portland Art Museum, OR
Reed College, Portland, OR
Seattle Opera House, WA
Standard Plaza, Portland, OR
University of Victoria, British Columbia
Walter P. Chrysler Jr. Collection, Norfolk, VA

COLLECTIONS

Bank of America, Portland, OR and Seattle, WA
California Palace of the Legion of Honor, San Francisco, CA
Chase Manhattan Bank, NY
Dayton Art Museum, OH
Davis, Wright, Tramaine, Portland, OR
Memorial Museum of Art, University of Rochester, NY
Mentor Graphics, Portland, OR
Mitsubishi Bank, Portland, OR
Museum of Art, University of Oregon, Eugene, OR
Museum of Munson Williams Proctor Institute, Utica, NY
Oregon School of Art and Craft, Portland, OR
Oregon State University, Valley Library, Corvallis, OR
Pacific National Building, Tacoma, WA
Portland Art Museum, OR
Reed College, Portland, OR
Safeco Corporation, Seattle, WA
San Francisco Museum of Modern Art, CA
Seattle Art Museum, WA
Seattle Opera House, WA
Standard Plaza, Portland, OR
St. Martin's Abbey, Lacey, WA
Tacoma Art Museum, WA
Utah State University: Nora Eckles Harrison Museum, Logan, UT
University of Victoria, British Columbia
Walter P. Chrysler Jr. Collection, Norfolk, VA

PUBLICATIONS

Wagner, Lidoña, “The Northwest as Artistic Muse,” Oregon Quarterly: The Northwest Perspective, University
of Oregon, Summer 2007, pp. 14-17
Taylor, Sue, “Morris’s Eye Language,” Art in America, March 2007, pp. 164-167
Chandler, John, “20 Good Years,” Portland Monthly, October 2006, Volume 4, Issue 10, p. 189
Allan, Lois, “Viewpoint,” Artweek, September 2006, Volume 37, Issue 7, p. 5
Book Review, “Guenther, Bruce and Susan Fillin-Yeh, Hilda Morris,” Library Journal,
September 1, 2006
Row, D.K. “Surveying the Scene,” The Oregonian, July 31, 2006, pp. C1-C4
Fillin-Yeh, Susan and Guenther, Bruce, Hilda Morris, Catalogue, Portland Art Museum, c. 2006,
112 pages, color plates
“Portland Art Museum,” Portland Monthly, May, June and July, 2006
“Visual Art: Hilda Morris,” Alaska Airlines Magazine, June 2006
Row, D.K. “Debts, daughter’s decision hold artist’s legacy in balance,” The Sunday Oregonian,
June 18, 2006, p. O6
Book Review. “’Hilda Morris,’ by Bruce Guenther and Susan Fillin-Yeh,” Seattle Times / Post
Intelligencer, June 11, 2006
“Treasure: Oregon’s Own,” AAA Idaho Via and AAA Oregon Via, May 2006
“Go to the museum for free,” Salem Statesman Journal, May 28, 2006
Row, D.K., “Many museums are slow to showcase local art,” The Sunday Oregonian, May 7, 2006, O8
Sklaver, Floyd, “Weekend Warrior: Working hard for the money,” Just Out, Portland, OR,
May 5, 2006
Johnson, Barry, “Looking back at a sculptor’s three-dimensional language,” The Sunday Oregonian,
April 30, 2006, pp. O6-7
Butterfield, Paula, “Women in the Arts: Hilda Morris,” NW Women’s Journal, April 20, 2006, Vol.1,
Issue 9, p.10
Harada, Jenny, “Masters and Innovators: New shows contrast realism and abstraction,”
The Bend Bulletin, April 14, 2006
Portland Art Museum, “Hilda Morris: April 15 – July 16, 2006,” PAM Magazine, Spring/Summer 2006,
pp. 25-26
Row, D.K., “D.K.’s hot sheet: Hilda Morris,” The Oregonian, April 14, 2006, A & E, p. 20
Gallivan, Joseph, “Hilda Morris,” Portland Tribune, April 14, 2006
Gangelhoff, Bonnie, “Morris Survey,” Southwest Art, April 2006, p. 68
Portland Art Museum, “Hilda Morris: Opening,” PAM Magazine, Winter/Spring 2006, p.14
Row, D.K., “12 pieces of public art that shook the city,” The Oregonian, InPortland, Aug. 1, 2005,
pp. 1 & 12
Northwest Matriarchs of Modernism, Marylhurst University, Marylhurst, OR,
exhibition catalogue, 2004, pp. 8-9
Blake, Victoria, “Minimalist ‘Matriarchs’” The Oregonian, October 15, 2004, A&E p. 26
“Northwest Matriarchs of Modernism,” MoNA Now, newsletter of the Museum of Northwest Art,
La Conner, WA, Fall 2004, p. 2, and Winter 2005, p. 1; illus.
Row, D.K., “The Connectors,” The Oregonian, May 2002
Gragg, Randy, “Critical Eye,” The Oregonian, July, 2001
Gragg, Randy, “Northwest Rising: A Start for Art,” The Oregonian, August 2000
Allen, Ginny and Jody Klevit, Oregon Painters, The First Hundred Years: 1859-1959, Portland:
Oregon Historical Society Press, 1999, 240-41.
Gragg, Randy, “Setting the Standard,” The Oregonian, December 1999
Conkelton, Sheryl, What it Meant to be Modern: Seattle Art at Mid-Century, exhibition catalogue,
Henry Gallery, University of Washington, Seattle, WA, 1999
Gragg, Randy, “Range of Work Adds to Museum’s Permanent Collection,“ The Oregonian, Jan 1996
Allan, Lois, Contemporary Art in the Northwest, University of Toronto Press, Buffalo, NY, 1995
Gragg, Randy, “‘Jet Dreams:’ A Look at Heady ‘50s,” The Oregonian, August 1995
Updike, Robin, “’50s Art: Not So Conformist,” The Seattle Times, March 1995
Bunsman, Laura and Askey, Ruth, Modernism and Beyond: Women Artists of the Pacific Northwest,
Midmarch Press, NY, 1993
Sharylen, Maria, Artists of the Pacific Northwest: A Biographical Dictionary, 1600s-1970, Jefferson,
North Carolina: McFarland, 1993, p. 146
Gragg, Randy, “A Few Good Exhibits,” The Oregonian, May 1992
Fillin-Yeh, Susan, American Art of the 1950s: Selections from the Reed College Art Collection,
Portland, Oregon: Reed College, 1991
Gragg, Randy, “Those Were the Days,” The Oregonian, December 1991
Gragg, Randy, “Art That Works with You,” The Oregonian, June 1991
Johnson, Barry, “Sculptor Hilda Morris, A Master of the Elemental, Dead at 79,” The Oregonian,
May 1991
Gragg, Randy, “Regional Artists, Curators Come and Go During 1991,” The Oregonian, Dec. 1991
Gragg, Randy, “‘Views’ Offer Surprises and Maturity,” The Oregonian, July 1990
Rubinstein, Charlotte Streifer, American Women Sculptors: A History of Women Working in Three
Dimensions. Boston, MA: G.K. Hall, 1990
Cavanaugh, Jan, Selections from the Reed College Collection, Portland, Oregon, Reed College, 1989
Allan, Lois, “An Evanescent Light,” Artweek, February 1988
Johnson, Barry, “Memorials in a Bronze Language,” The Oregonian, February 1988
Guenther, Bruce, The Fountain Gallery of Art 25th Anniversary Exhibition, Portland, OR 1986
Jenkins, Donald, Hilda Morris Counterpoint: Black and White Sumi Paintings, exhibition
catalogue, Portland Art Museum, Portland, OR 1984
Guenther, Bruce, 50 Northwest Artists, Chronicle Books, San Francisco, CA, 1983
Guenther, Bruce, Pacific Northwest Artists and Japan, National Museum of Art, Osaka, Japan, 1982
Collins, Gim and Glenn B. Opitz, eds. Women Artists in America: 18th Century to the Present,
Poughkeepsie, New York: Midmarch Arts Press, 1980
Cowles, Charles and Martha Kingsbury, Northwest Traditions. Seattle: Seattle Art Museum, 1978
Griffin, Rachel, "Roots, Rocks and the Ring of Time: an Interview with Hilda Morris,"
Encore Magazine of the Arts, 1977
Art of the Pacific Northwest: From the 1930s to the Present, Introduction by Joshua Taylor, essays by
Rachael Griffin and Martha Kingsbury, Washington, D.C.: Smithsonian Institution Press, National
Collection of Fine Arts, 1974
Kizer, Carolyn, Portland Art Museum, Hilda Morris: Recent Bronzes, exhibition catalogue, Portland
Art Museum, Portland, OR 1974
National Collection of Fine Arts, Arts of the Pacific Northwest, essay by Rachael Griffin,
Washington, D.C,: Smithsonian Institution, 1974
“Regional Accent,” Pacific Northwest, 1969
Skelton, Robin, “Sculpture as Metaphor: Five Bronzes by Hilda Morris,” The Malahat Review,
July 1969
James, Henry, The Denver Art Museum 71st Western Annual, Colorado: Denver Art Museum, 1965
Mayer, Martin, “Ford Moves on in the Arts," Horizon, 1962
Marylhurst College, Six Oregon and Washington Artists, Portland, Oregon: Marylhurst College,1962
Seattle World’s Fair: Northwest Art Today, introduction by Millard B. Rogers, Seattle: Century 21
Exposition, 1962
Wright, Frederick S., “The Artist's Environment: West Coast,” exhibition catalogue, Amon Carter
Museum of Western Art, Fort Worth, TX 1962
Art in America, 1962
“New Talent,” Art in America, 1957


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